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  It is only a year, of course, since Leonardo da Vinci: Anatomist, a magnificent exhibition at the Queen’s Gallery at Buckingham Palace that showcased the full breadth of around 200 sheets of anatomical studies by Leonardo in the Royal Collection. Inevitably, the new exhibition, also curated by Martin Clayton, feels less significant. While it sets Anatomical Manuscript A in context by providing a handful of representative sheets from earlier and later in Leonardo’s career, including one of the famous 1489 drawings of a sectioned skull, it does not offer a comprehensive overview of his activities as an anatomist.